• ABOUT
    • Receiving Your Photos & Supporting the Work
    • Tegokoro
    • Japan - A Glance
    • Humans - A Glance
    • The Season for Yuzu
    • Okinawa
    • Cannes 2017
    • SXSW 2017 (PT1 / PT2)
    • LINKEDIN & CV
    • OFFICE / STUDIO / LOFT APT
    • ACCOMMODATION / STUDIO APT
    • 新型コロナウイルス対応ガイドライン
    • Socio-Creative Enterprise
    • Organic Fashion
    • Lookbook
    • Why Organic?
    • FAQ
    • About
    • Shop
  • Blog
  • Contact
Menu

Return Co.

Fukuoka City,
Fukuoka, 810-0074
Phone Number
Creative Collaborative JPN x EARTH

Return Co.

  • ABOUT
  • Photography
    • Receiving Your Photos & Supporting the Work
    • Tegokoro
    • Japan - A Glance
    • Humans - A Glance
    • The Season for Yuzu
    • Okinawa
    • Cannes 2017
    • SXSW 2017 (PT1 / PT2)
  • Copywriting
    • LINKEDIN & CV
  • Spaces
    • OFFICE / STUDIO / LOFT APT
    • ACCOMMODATION / STUDIO APT
    • 新型コロナウイルス対応ガイドライン
  • Projects
    • Socio-Creative Enterprise
  • Past Projects
    • Organic Fashion
    • Lookbook
    • Why Organic?
    • FAQ
    • About
    • Shop
  • Blog
  • Contact

Indigenous Australia: overcoming bigotry and our cultural divide

November 24, 2014 Ryo Ishii
Bo-dene June Oscar

Bigotry is the disease of ignorance, of morbid minds; enthusiasm of the free and buoyant. Education and free discussion are the antidotes of both... I like the dreams of the future better than the history of the past. 

- Thomas Jefferson

 

Join the conversation #FirstContactSBS

 

What a lovely show and initiative from Blackfella Films and SBS. These are the conversations that spark the strength and wisdom of Australians (or anywhere in the world) to break out and move forward from a vicious cycle of cultural divide.

People who are already embracing and passionate about the plight of indigenous australians', be prepared: the show will be full of frustrating moments and outright ignorance from more than a few of the cast members.

But because 6 out of 10 Australians have no, or little contact with indigenous Australians (and the show intelligently paying tribute to this statistic by casting 6 Australians without previous relations with indigenous Australians), the likelihood of any of us coming across people with similarly devastating preconceptions are very high. 

And just as it is important to first-handedly experience and emphathise with indigenous Australians, we also think it's crucial to extend our empathy and patience for those with very dividing perspectives and a strong fear of the 'other' like this show has done. Because if we don't, ignorance will keep root, continuously fuelling the vicious cycle and terminating even the will to look for and apply solutions for these generation-old problems.

The only thing we wished more from the show was a multicultural perspective to discuss the issue beyond the dichotomy of 'white and black' (which yes, makes sense considering the colonial origin of the problem), but if we are to focus on the hope for the future and less on the past, it only makes sense to include Australians with Chinese, Indian, Italian, Lebanese, Vietnamese origin (and many, many more) to discuss this issue as something relevant to all who live in Australia, including residents born outside of Australia (representing 27% of the population).

Episode 3 is by far our very favourite, partly because the cast members grow to show dramatic shifts from their previously disrespectful attitude, and partly because of the scene where a beautiful poem is shared written by local Fitzroy Crossing doctor, about the community's struggle and rising from generations of alcoholism and FASD (Foetal Alcohol Spectrum Disorder).

 

Hope in the Valley

 

There is hope in the valley 
and it flows slow and deep
A river of life floods the plains
And it softens the tears the grandmothers weep
Like a desert refreshed by the rains

And there’s pride in the valley 
those women stood strong
To stop that damned river of booze
While businessmen and countrymen swore they were wrong
But the women had too much to lose

The children are damaged before they are born
The alcohol poisons the brain
And the grandmothers grow them up, tired and forlorn
While the parents go drinking again

The river of grog is a trickle out there
And the young people hunt through the skies
For the spirits of old men with wild untamed hair
And that wise, patient gleam in the their eyes.

There’s hope in the valley 
and it flows slow and deep
Like culture where life finds its themes
The river of hope has a long way to go
But it’s flowing
and so are their dreams.

 

SBS follows up the show with a Q&A forum with the cast members, community leaders, film maker and a studio audience. This is where some of the solutions are discussed and hence, definitely worth a watch to take down some constructive notes which may guide us forward in each of our journey. One of these ideas really stood out for us enough to tweet it!

 

 

We're still looking for our own way to be part of the solution. Through fashion and creative expression, there has to be something very exciting we can do together to empower indigenous Australians and non-indigenous Australians alike: Australians empowering Australians as Australians, in all the glory of our cultural and a racial diversity!

If you happen know any other Indigenous organisations or communities who are interested in collaborating with us, please let us know. We collaborate worldwide through Project Return World, so establishing personal relations with indigenous Australian photographers and models is definitely something we want to do.

We are however, open to more ideas that has the potential to truly empower indigenous Australians through creativity and fashion. If you simply have a couple ideas, feel free to share it with us and discuss it here!

A very good friend of ours has shared his opinion with us:

One thing that came up during the Insight program, towards the end, was what Aboriginal people can teach us about sustainability, about caring for the planet and each other, and how we can adopt these values into our society. This was specifically mentioned in relation to capitalism, a system of unsustainable growth. I like this idea a lot. Ditching our consumer culture and valuing Aboriginal cultural values more highly. I believe this is the way to go, not rectifying the past, but embedding the culture into the future. I think any instance of Aboriginal culture being adopted in a wider realm is an important, positive step towards healing, and in itself (where implemented properly) is deeply and truly empowering. 

What are your thoughts? We would your opinions and perspectives to let our initiatives be well-informed and as respectful, inclusive and empowering as possible!

You can catch all three episodes on SBS On Demand. Videos available for free viewing till the 22nd of December.

 

Peace,

Ryo / Nate

 

More articles under:

Expression & Being・Life & Perspective・Natural Lifestyle
World Cultures・Sustainable Fashion・T-Shirt Journals・Return Co.

In Life and Perspective Tags First Contact SBS, Blackfella Films, Ray Martin, SBS, Insight, Cultural Divide, Vicious Cycle, Australians, Indigenous Australia, Aboriginal Australia, Ignorance, Empathy, Solution, Hope, Race Relations, Racism, Alcoholism, Addiction, FASD, Fitzroy Crossing, Community, Bigotry
← PRW : Tokyo 東京 Nynno Bel-Air x Karin Okoso #1Expression & Being: Hey Young World, Slick Rick (1988) →
Blog
One Song in 140+ Languages for Palestine (and Counting)
about a month ago
View fullsize Nothing Separate — Entry 008

Between two worlds — a visitor at home.

2024.06.10
Tshushima, Nagasaki, Japan
🙏🏾 Benny.

‘Nothing Separate’ is a quiet series on connection, place, and belonging—not something to seek, bu
View fullsize Nothing Separate — Entry 007

A moon above. The sky cradling a memory.

2024.06.10
Tshushima, Nagasaki, Japan
🙏🏾 Benny.

‘Nothing Separate’ is a quiet series on connection, place, and belonging—not something to seek, but som
View fullsize Nothing Separate — Entry 006

Living today, carrying tomorrow. 

2024.08.24
Itoshima, Fukuoka, Japan
🙏🏾 Suzu, Rento, Ramu, Hinari, Miho, Shun, Yoshi, Mason, Jaye, Maiah, Ray, Erina, Polina, Kenya.

‘Nothing Separate’ is a quiet se
View fullsize Nothing Separate — Entry 005

You don’t need wings when people have your back.

2024.08.24
Itoshima, Fukuoka, Japan
🙏🏾 Hara san, Gustav, and the lovely people of Shirouzu Shoten.

‘Nothing Separate’ is a quiet series on conn
View fullsize Nothing Separate — Entry 004

A child sleeps, the world softens.

2024.08.24
Itoshima, Fukuoka, Japan
🙏🏾 Suzu.

‘Nothing Separate’ is a quiet series on connection, place, and belonging—not something to seek, but something al
View fullsize Nothing Separate — Entry 003

Held by what has always known her.
Returning to what never let go.

2024.08.24
Itoshima, Fukuoka, Japan
🙏🏾 Maiah, Ray, Mason, Shun, Erina, Yoshi, Ramu, Hinari, Jaye.

‘Nothing Separate’ is a quiet ser
View fullsize Nothing Separate — Entry 002

Held by more than hands.

2024.08.24
Itoshima, Fukuoka, Japan
🙏🏾 Suzu, Ramu, Miho, Rento, Hinari, Yoshi, Shun Mason, Erina, Ray, Maiah, Jaye.

‘Nothing Separate’ is a quiet series on connection, place
View fullsize Nothing Separate — Entry 001

Just one, in a liquid blue and gold.

2024.08.24
Itoshima, Fukuoka, Japan
🙏🏾 Miho & Shun.

‘Nothing Separate’ is a quiet series on connection, place, and belonging—not something to seek, but
View fullsize
View fullsize

©2025 Return Co.